It’s a postmodern narrative that features great dialog exchanges that sound strange reading them, but perfectly normal if you say them out loud. That being said, I do like “‘Repent, Harlequin!’ Said the Ticktockman” a great deal. It seems like Ellison is painting the woman in a traditional role as betrayer rather than a less stereotypical role. This betrayal is voluntary, unlike Julia’s betrayal of Winston in Nineteen Eighty-Four. She is put off by Harlequin “annoying people,” and she’s ultimately the one that betrays him. One element that I found lacking in the story is the way in which the lone speaking female character is portrayed. However, he breaks with Orwell by making Harlequin a character that can actually disrupt the system instead of an individual who is a ball of yarn to the state-cat. If you’re late too much, as is the story’s joker-hero, Harlequin, you’re “turned off.” The Master Timekeeper, or as he’s called behind his back, the Ticktockman, is responsible for policing and enforcing the law of punctuality.Įllison explicitly relies on Orwell’s Nineteen Eighty-Four, particularly in the ending when Harlequin, aka Everett C. Whenever you’re late, that time gets docked from your projected lifespan. It’s a story about a future ruled by efficiency and time keeping. Kennedy Airport on Sunday, I read Harlan Ellison’s Hugo and Nebula-winning short story, “‘Repent, Harlequin!’ Said the Ticktockman.” It was originally published in the December 1965 issue of Galaxy Science Fiction, and it can be readily found today in The Essential Ellison. How to Build a Sparring Lightsaber with Parts from Home Depot and Spare Parts (with thoughts on learning and haptics)ĭuring my six hour layover in New York’s John F.

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